No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Alexander Scrimgeour, Richard Birkett, and Sam Lewitt (Vienna: MuMOK, 2014).Ĭopyright 2019 by the Regents of the University of Minnesota All rights reserved. Portions of chapter 5 were previously published in a different form in “Superstudio’s Aberrant Images,” in and Materials, Money, and Crisis, ed. Portions of chapter 3 were previously published in a different form in “From Absolute to Everything: Taking Possession in ‘Alles ist Architektur,’ ” Grey Room, no. Portions of the Introduction and chapter 2 were previously published in a different form in Grey Room, no. Hilles Publication Fund of Yale University. This book was published with the assistance of the Frederick W. This publication is made possible in part from the Barr Ferree Foundation Fund for Publications, Department of Art and Archaeology, Princeton University. If any proper acknowledgment has not been included here, we encourage copyright holders to notify the publisher. University of Minnesota Press Minneapolis LondonĮvery effort was made to obtain permission to reproduce material in this book. GRAPHIC ASSEMBLY Montage, Media, and Experimental Architecture in the 1960s
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